Vintage Collectable Art for Dog Lovers

I’m always on the lookout for vintage dog-related bits and pieces but there’s not much out there that takes my fancy! As you may know from my printmaking work, I like pieces with a strong graphic element, however much of the dog related ephemera I’ve come across seems to be either very traditional or rather sentimental. It’s also interesting how dog breeds have changed in appearance over time and so some breeds now look quite different to how they were illustrated in days gone by. I’ve seen some lovely old vintage metal advertising signs for dog food (they are pretty hard to come by) but I’m keeping my eyes peeled!

What I have found though, are some wonderfully illustrated vintage magazine covers from Country Fair (published in the 1950s in the UK) with cover illustrations by Australian artist John Hanna…

Country Fair Bulldog John Hanna

Country Fair Magazine December 1955 Bulldog by John Hanna

 

Country Fair Magazine November 1954 Pointer by John Hanna

Country Fair Magazine November 1954 Pointer by John Hanna

and some New Yorker magazine covers (first published in 1925 and still going strong today) well known for its iconic covers commissioned by celebrated artists, illustrators and cartoonists…

Perfect for Bull Terrier lovers are the covers illustrated by cartoonist George Booth…

New Yorker magazine March 1979 White Bull Terrier & Cat by George Booth

New Yorker magazine March 1979 White Bull Terrier & Cat by George Booth

New Yorker magazine February 1976 White Bull Terrier and Cat by George Booth

New Yorker magazine February 1976 White Bull Terrier and Cat by George Booth

or this adorable dog, waiting for someone to come home or guarding the house… a Bulldog perhaps?

New Yorker magazine February 1974 Bulldog Waiting by George Booth

New Yorker magazine February 1974 Bulldog Waiting by George Booth

and these great illustrations of dogs in the dog park by Mark Ulrikson and Ana Juan

ny-dogparkweb

New Yorker magazine July 1995 Dog Park by Mark Ulrikson

ny-dogsscarfsweb

New Yorker magazine February 2010 Dogs in Sweaters by Ana Juan

and this wonderfully atmospheric and humorous illustration of a man walking his dog in a blizzard by Eugene Mihaesco

ny-mansnowweb

New Yorker magazine February 1987 Man and Dog in Snow by Eugene Mihaesco

or this amusing scene by Andre Francois…

ny-dogcatwindowweb

New Yorker magazine May 1973 Dog & Cat through a window by Andre Francois

I also managed to lay my hands on what I think is a page from the Tailwaggers’ Club magazine featuring the official Tailwaggers’ Club doggie merchandise. The Tailwaggers’ Club was started in 1928 to raise money for sick and injured dogs. They donated money to the Royal Veterinary College, raised from membership subscriptions. At its peak in the 1930s the club had over a million dogs as registered members!

tailwaggersweb

Tail-waggers Club Doggy Equipment

Take a look at the vintage section on The Enlightened Hound’s website to see these (and hopefully other) interesting vintage doggy finds in the future.

 

Christmas Cards for Dog Lovers

This year there are two Christmas card designs available, both of course with a dog theme.

The “12 Dogs of Christmas” has made a comeback, as it sold out last year and it is joined by “The Howling Dogs of Christmas” – a new design featuring my watercolour drawings of howling dogs.

The Howling Dogs of Christmas Card

The Howling Dogs of Christmas Card

It’s printed on thick, textured card and comes with a festive metallic silver envelope.

Howling Dogs of Christmas Card Pack of 10

Half the profits go to Hearing Dogs (for deaf people) and The Cinnamon Trust (who help the elderly and terminally ill keep their pets with them, when they may otherwise have to give them up).

Watercolour detail of Howling Dogs Christmas Card

Watercolour drawing detail of Howling Dogs Christmas Card

I’m not sure what the Hearing Dogs did with their share last year, but I got a lovely letter from The Cinnamon Trust who used their donation to help buy memory foam beds for 2 large, arthritic dogs.

Watercolour detail of Howling Dogs Christmas Card

Watercolour dog detail of Howling Dogs Christmas Card

Here’s a reminder of last year’s “12 Dogs of Christmas” card, which is also available again this year.

12 Dogs of Christmas Card

12 Dogs of Christmas Card

Cards are sold in packs of 10 for £10 from The Enlightened Hound’s website

 

Labradoodle and Lurcher Prints

There are 2 new breeds in the Dog Tag series of prints by The Enlightened Hound. I say ‘breeds’ though neither the Labradoodle or Lurcher is considered a recognised breed – both being classed as a crossbreed. These technicalities however aren’t generally important to Labradoodle or Lurcher owners, who love them to bits regardless!

Each one is hand printed on a traditional etching press.

Labradoodle

Labradoodle Print

Labradoodle Print

Labradoodles are enormously popular family pets. They love to work and are eager to please. They are true companion dogs and thrive best with their people, delighting in being stroked and petted. Many of them are pretty smart and enjoy outwitting their owners – just for fun!

Labradoodle Print Detail

Labradoodle Print Detail

Labradoodle Print Unframed

Labradoodle Print Unframed

Labradoodle Print Framed

Labradoodle print in reclaimed wood frame

Lurcher

Lurcher Print

Lurcher Print

In the Middle Ages only nobility were allowed to own purebred dogs but accidental crossbreeds of these nobility owned sighthounds were snapped up by the commoners (peasants and gypsies) as stealth poaching dogs, who hunted by scent and sight to put meat for the cooking pot on the table. Rabbit and hares were the usual quarry and hunting usually took place at night.

Lurcher Print Detail

Lurcher Print Detail

Lurcher Print Unframed

Lurcher Print Unframed

Lurchers are the perfect combination of intelligence, speed, agility, hardiness, temperament & trainability. It was essential that the purebred Greyhound hunting instinct was tempered so that the dogs could be stopped from chasing prey if someone was watching. The penalty for detection was death, so dogs had to be loyal, trainable and live out of sight in the family home.

Framed Lurcher print

Lurcher print in reclaimed wood frame

Hand printed individually on an etching press, both prints are available from The Enlightened Hound

Vintage Style Illustration and Hand-Lettering for Libelle Magazine

I was approached by Dutch weekly magazine Libelle to do some illustrations in the style of my Quintessentially British print, for a special London themed issue of their magazine .

Quintessentially British Print

The first one was to accompany an article about all the things we have to do in the course of our daily lives, such as washing and ironing, shopping, gardening, walking the dog etc.

Following the style of my Quintessentially British print, I combined vintage retro illustrations with hand drawn letters in a limited colour palette.

Magazine illustration and hand lettering

The second illustration was to do with London and some of the things that a visitor might like to see and do in the city.

London tourism illustration

The third illustration was a little more challenging as it was related to fashion… the challenge was to keep the vintage feel of the illustrations but without looking out of date with current fashion trends.

Fashion illustration and hand drawn letters

Really enjoyed this brief and being pushed to take an existing piece of work to a new level.

schermafbeelding-2016-08-30-om-14-20-08

 

An alternative dog portrait – Hounds in Verse

There are lots of amazing dog portrait artists out there and I am always amazed by the incredible variety of ways that you can choose to have your dog rendered as a piece of art, from collage to pencil, oils or charcoal, traditional or modern – the choice is endless.

But I wanted to create something a bit different and even more personal …The result is Hounds in Verse – an illustrated poem that celebrates the wonderful character of each dog and their special relationship with their human.

Each poem is written in rhyming couplets and is completely bespoke and unique to each dog. I create the poems from the wonderful stories that each dog owner shares with me in response to a special questionnaire that they receive when the poem is commissioned.

The poems are intended to be fun, whimsical, touching and humorous and each one is individually hand lettered and illustrated in ink on Japanese Hosho paper.

I feel very privileged to read about the wonderful relationship people have with their dogs and how it manifests itself in their everyday lives and it is enormous fun to recreate this bond as a poem.

Here’s the Hounds in Verse illustrated poem I wrote about my Portuguese Water Dog, Figo.

“A Portuguese name, Figo, we chose,
After a football legend (for those in the know).
And true to his namesake, he loves to play ball,
But the thrill of the chase is the best fun of all.

Squirrel and muntjac are hard to resist,
Dashing off through the woods, silent and swift.
Then, with a tail full of twigs and a coat full of burrs
He returns happy and panting, yet undeterred.

In Cornish coves, but once year,
His sandy paws a souvenir
Of endless beaches and summer days
Spent chasing gulls and jumping waves.

A sensitive boy who hates trouble and strife –
The peacekeeper in our family life.
He runs over, tail wagging, if voices are raised,
The perfect incentive to mend our ways.

When the biscuit tin opens, he’s straight through the door.
Though polite and persistent, we try to ignore
The quick poke of his nose and meaningful stare
That says, “Surely that food is meant to be shared”

He loves to join in the conversation
With an array of amusing vocalisations.
A printmakers dog, in the studio he’ll snooze,
Unaware that he’s an artist’s muse.

When it’s time to unwind at the end of the day,
He kneads his paws on the sofa in a certain way,
& while holding his “Mousey” (well loved and smelly),
He’ll nod off to dreamland, while we watch the telly.”

And here it is in the final pen & ink illustration:

Hounds in Verse Dog Portait

Figo poetic portraitPoetic Dog Portrait Lettering

To commission your own Hounds in Verse dog portrait or to find out more about the process visit The Enlightened Hound’s website.

 

 

 

Land Rover Reduction Linoprint

Being a lover of all things Land Rover and all things Dog I wanted to make a print that celebrated them both. It’s called “Land Rover Life”.

Land Rover Life 11 colour reduction linoprint by Debbie Kendall

I set my self a challenge to create the print as an 11 colour reduction linoprint. If you are a printmaker you will know what I mean by “challenge” (enough said) but if you are not well versed in printmaking techniques (or even if you are) and would like to find out more about how I made this print, then read on…

What is a reduction linoprint?

When creating a print of more than one colour, a printmaker may choose to carve a separate block (or plate)  for each colour or alternatively, they can use the same block for all the colours. This latter method is the reduction (or suicide) method. It is often referred to as the suicide method, not because it is suicidally tricky (though that is true) but because in using the same plate for all the colours, the plate is systematically cut away in increasing amounts as the print progresses and by the end of the print, it is completely destroyed, therefore there is no going back. It also means that no more prints can be made from that block, so once the initial run of prints are editioned, that’s all there will ever be.

Why Land Rovers?

The Land Rover idea was triggered by the announcement in 2016, that the last Land Rover Defender would be rolling off the production line, marking the end of almost 70 years of production of Land Rovers, from the original Series 1 to the Defender – over two million vehicles.

There are very few vehicles that have stood such a test of time and even fewer that have transcended fashion and trends to become an iconic part of British national culture. What I particularly love about the Land Rover is its appeal and relevance to all levels of society and its ability to be right at home wherever it is, be it a farmer’s field, an army base, a mountain pass, a country estate, a suburban town or a royal palace.

The Land Rover’s heritage of exploration and adventure and its “go anywhere, do anything” potential is an irresistible combination, evoking a sense of freedom and derring do. Its tough, rugged, no-nonsense character, combined with its no-frills, meccano-esque nuts and bolts and chunky silhouette -like a child’s drawing, yet perfectly proportioned – is both timeless and distinctive.

Inspired by vintage travel posters of the 1920s and 30s, I wanted to create a print not just about the Land Rover and what it can do, but also a print that depicts what the Land Rover stands for and what it means to its many different owners.

Those of you who know my work, know all about my love of dogs. To me, dogs and Land Rovers are inseparable and it’s no co-incidence that people who own both dogs and Land Rovers often speak of their vehicle and their animals in the same affectionate tones, both being faithful, hard working, characterful, individual and will go anywhere with you!

You may also know that hand lettering is also my “thing” and is a constant feature of my work. The phrase “Live A Life Less Ordinary” stirred up, for me, the best feelings about owning a Land Rover. If you look closely at the finished print, you’ll see that the letters are drawn so they look like they are ‘screwed’ into the print.

How did I get started?

So, the first thing to do was to design the print which involved many pleasant (and some frustrating) hours of research, inspiration and sketching.

land rover sketches

Then the final design had to be transferred on the lino plate – in reverse

land rover linoprint plate

I mix all my colours up by hand using oil based traditional inks, so I spent lots of time perfecting the recipe for the perfect Land Rover green…

land rover print colours

So what could possibly go wrong?

I am trying to get an edition of 50 prints in total. Allowing for errors and time for the plate to build up a nice even layer of ink, I prepare 58 pieces of paper for prints. I must print the colour on all 58 prints before I can move on to the next colour. If I make mistake at any stage I cannot go back and print more, because after that particular colour has been printed, I carve away more of the block for the next colour and it is irreversibly altered.

So here’s an interesting fact… In the making of this print I had to ink the block and put down the paper on the inked block to take a print a total of 580 times (58 prints, each with 10 passes of colour – there were 11 colours in total but I managed to print colours 5 and 6 together)! Each colour took several days of printing and was very physically demanding, because in order to transfer the ink evenly to the paper each print was hand burnished (rubbed by hand on the back of the paper) with various tools for a considerable length of time!

Finally, each time I put the paper down on the inked block to take a print  I had to make sure it was put down in exactly the same place… even a shift of less than half a millimetre would mean that the colours would not be mis-registered and the print would not have good, sharp definition. (Sometimes this can be done deliberately with great effect, but I wanted perfect registration for this print)! To achieve this I built a ‘jig’ and ‘tympan’ based on old printing machines which would (hopefully) hold the block and the paper in the same place each time. Printmakers expect to lose a few prints to mis-registration, errant ink smudges, too much ink, too little ink and a whole host of other possible, unforseen catastrophes! To top it all, one slip of the tool when carving the block could mean the whole edition is ruined! Now you know why it’s called a suicide print! I ended up with an edition of 47 for this print. Not bad!

Here’s how I did it…

The first step to start printing is to carve away all the areas on the plate that I want to remain white and then ink up the plate in the first colour I want to print – a pale blue.

In all the following pictures of the process the carved, inked plate is on the left and the resulting print from that plate is on the right.

stage one printing

Stage 2 is to carve away all the areas I want to remain pale blue (that I have just printed) and to ink up the plate in the next colour – a pale taupe/brown…

printing of second colour

Stage 3 is to carve away all the areas to remain pale taupe/brown and ink up the plate with the third colour – light grey…

printing of 3rd colour

Stage 4 is to carve away all the areas to remain light grey and ink up the plate with the fourth colour – mid brown…

printing of 4th colour

Stage 5 is to carve away all the areas to remain mid-brown and ink up the plate with the fifth and sixth colours – mid grey and orange (I can print both of these together as they are in separate areas of the print and do not touch) …

printing of 5th and 6th colours

Stage 6 is to carve away all the areas to remain mid-grey and orange and ink up the plate with the seventh colour – light olive green…

printing of colour 7

Stage 7 is to carve away all the areas to remain light olive green and ink up the plate with the eighth colour – Land Rover green…

printing colour 8

Stage 8 is to carve away all the areas to remain Land Rover green and ink up the plate with the ninth colour – dark green…

printing colour 9 - dark green

Stage 9 is to carve away all the areas to remain dark green and ink up the plate with the tenth colour – dark grey…

printing colour 10 - dark grey

Stage 10 -the final stage –  is to carve away all the areas to remain dark grey and ink up the plate with the eleventh colour – almost black…

… to reveal the final print

printing last colour - black

I hope you found this insight into the process of making a reduction linoprint useful and informative. If you’d like to find out more about me, discover more of my work or buy a print, go to my website

In Memory of a Dog

A good friend recently had to say goodbye to her gorgeous flat coat retriever, River.

It was sudden and shocking news. I wanted to create something uniquely personal for her in River’s memory and also use drawing as an outlet for my thoughts on this sad news. River was a beautiful boy, so handsome and good natured and his love of water really lived up to his namesake.

If you are familiar with my prints, you will know that hand-lettering is my ‘thing’ and as someone who bought one of my prints recently commented, I have to be “both a printmaker and a wordsmith”, so I decided to write a poem about River and combine it with illustration in a vintage style.

Here is my Ode to River, in pen & ink on Japanese Hosho paper…

Tribute to a dog

 

 

Framed tribute to a dog